The Strain: A new vision of vampirism
Saturday, October 31st, 2009The following article was pulled from Scholars & Rogues RSS Feed

Anyone who’s seen Guillermo del Toro’s recent movies—Pan’s Labyrinth and the Hellboy movies (and a two-part The Hobbit on the way)—probably expect anything spawned by that mind to be boldly imaginative. Del Toro takes risks and he paints large while paying attention to the most meticulous details.
So when del Toro teamed up with Chuck Hogan to write a vampire trilogy, fans understandably expected something crazy, crazy, crazy good.
With the first part of that trilogy, The Strain, fans do indeed get something good—but it lacks the crazy, crazy, crazy.

Horror of the “gothic” variety that occupied so much of the conversation between Byron and the Shelleys (these would be the conversations that ultimately gave rise to Frankenstein) has traditionally traded in some easily recognizable tropes. Among the most common are your haunted places. Swamps and moors are always a little scary. Graveyards and crypts, of course. Transylvania.









Results: Surprise! The Beatles win! *ahem* Okay, so maybe we all saw that coming. Still, Zappa thumping The Beach Boys this hard for second? Interesting things happen in the battle for second, too – not that it impacts the rest of the competition, of course. The numbers: #1 The Beatles 72%; Frank Zappa 22%; #6 The Beach Boys/Brian Wilson 6%. Fabs advance to the Sweet 16. (By the way – we’ve had a couple of Pope John Pauls. Why no Pope George Ringo?)